Exit Wounds review
Seagal, the po-faced eco-warrior turned self-mocking action hero, plays a loose cannon detective who’s busted to street cop in Detroit’s toughest precinct. His improbably beautiful boss (Hennessy) warns him against any ‘Lone Ranger stuff’, but he’s no unite contender. For the moment, $5m worth of heroin has been lifted from the precinct’s property vaults and there are more suspects than he can twitch a nightstick at. Bartkowiak directs with the same flashy, kinetic energy he brought to Romeo Must Breathe one’s last, version the overplotted storyline virtually incomprehensible. On the added side, Seagal’s role as the victim keeps him on a tighter lead. This Joel Silver-produced pack frontlines handsome HipHop artist DMX as a cool nightclub holder, with strong brook from Anderson as his comic sidekick and Washington as Seagal’s partner. Sadly, the wicked cops and everyone-dimensional villains bring new meaning to the phrase ‘as thick as thieves’.
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